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EBook 1 How to Play Guitar Individual UniReq Step by Step

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

EBook 1 How to Play Guitar Individual UniReq Step by Step

1 Free First class Music Principles and Circuits Uni-Requinto Guitar and Music How to Systems ViOnline 


VIDEOS

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook


1 Free First Class Music Principles and Circuits Uni-Requinto Guitar and Music How to Systems Online

 

In English and Spanish

INDIVIDUAL UNI-REQUINTO MAJOR NATURAL TONES

INDEX: -------------------------------------------------------Pages

• TECHNICAL STEPS PROCEDURES FOR A TOUR ON

THE FRETS OF THE FRETBOARD OF THE GUITAR AND SOUND

MAJOR NATURAL TONES Introduction……………………………................... 3

• Presentation of the structure of the essay in the

• E-Book............................................................................................................... 3

• Practicing / rehearsing with our fingers................................................. 4

• Fretted that tread in the fork and fingers that are

• activated in the strings of the guitar...........................................................5

o Frets of the guitar………………………………………........................................... 5

o REQUINTO………………………………….......................................………………… 6

• PRINCIPAL TOUR……………………………….………….....................................… 6

• O Part 1, first travel.......................................................................................... 7

• O Part 2, second course......... 7

• o Part 3, third tour........................................................................................... 8

Travel part 4.1 / 3.1.1.......................................................................................... 8

Travel part 4.2 / 3.1.2......................................................................................... 9

Travel part 4.3 / 3.1.3......................................................................................... 9

Travel part 5.1 / 3.2.1.......................................................................................... 9

Travel part 5.2 / 3.2.2......................................................................................... 9

Travel part 5.3 / 3.2.3……………........................................................................ 10

o Part 6, sixth tour.............................................................................................. 10

• ATACHED TRAVEL DEPUTY LATER............................................................ 12

• o Part 7, seventh tour and first Deputy....................................................... 12

• o Part 8, eighth tour and second Deputy…................................................ 13

• o Part 9, ninth tour and third Deputy.......................................................... 13

• Minimal Simple Step by Step Procedures………......................................... 15

}(*!*){

En Inglés y Español

UNI-REQUINTO INDIVIDUAL DE LOS TONOS MAYORES

NATURALES

INDICE: ----------------------------------------------------Páginas

• TÉCNICAS PASOS PROCEDIMIENTO PARA REALIZAR

UN RECORRIDO EN LOS TRASTES DEL DIAPASON DE LA

GUITARRA Y HACER SONAR LOS TONOS MAYORES NATURALES

• Introducción………………………………………..……..........................................…. 18

• Presentación de la estructura del ensayo en el

• E-Book……………..………………………………………….........................................… 19

• Practicando / ensayando con nuestros deditos

• …------……………………………………………………….….....................................… 20

• Trastes que se pisan en el diapasón y dedos que

• se accionan en las cuerdas de la guitarra………......................................... 21

• Trastes de la guitarra…………………………………….......................................... 21

• REQUINTO…………..................................………………………............................. 22

O Parte 1, primer recorrido …………......................................................……….23

o Parte 2, segundo recorrido………………....................................................... 23

O Parte 3, tercer recorrido…………………....................................................... 23

Recorrido parte 4.1 / 3.1.1…………………………................................................ 25

Recorrido parte 4.2 / 3.1.2…….……………….............................................…… 25

Recorrido parte 4.3 / 3.1.3………………………….............................................. 26

Recorrido parte 5.1 / 3.2.1……..……………….............................................…… 26

Recorrido parte 5.2 / 3.2.2…………………….................................................... 26

Recorrido parte 5.3 / 3.2.3…………………………………………………..........…… 27

O Parte 4, sexto recorrido……………………………………………….................... 27

• RECORRIDO ADJUNTO POSTERIOR………………..................................... 28

o Parte 5, Séptimo recorrido y primer adjunto.…………........................... 29

o Parte 6, octavo recorrido y segundo adjunto ………..........................… 30

o Parte 7, noveno recorrido y tercer adjunto…………...........................…. 30

• Mínimos Procedimientos Simples Paso a Paso

Presentación en video de los recorridos:……….......................................... 31


2 Free First Class Music Principles PRINCIPAL TOUR

VIDEOS

 

TECHNICAL STEPS PROCEDURES FOR A TOUR ON THE FRETS OF THE FRETBOARD OF

THE GUITAR AND SOUND MAJOR NATURAL TONES


Introduction: In this E-Book are taught a process divided into routes, techniques to perform a requinto, requinto complete in the outer range internal e along all the fingerboard of the guitar that holds strings. Explains how the cycle, circuit of the requinto by parties, divided into 9 technical procedures, in displacements of routes divided by party to the fingerboard of the guitar, for a good essay of the same, to achieve easily learn about routes of the requinto on almost all the frets internal and external of the fingerboard of the guitar to join its parts between foreign dishes e interior of the fingerboard of the guitar is formed (fretted exterior e Interior described in) one of the first E-Books as part of the pitch divided into dishes that are on the same guitar body; foreign dishes are those who are outside the fretboard, between your machine and the same guitar body).


THE E-Book is explained in 1st and 3rd person (singular plural), I offer my apologies to my readers if there is an error of translation, writing, writing and spelling as any error checker, Grammarian, textual transcription which had the same. Travel is explained in video and in this E-Book for your reading and writing. The explanation for the journey of the requinto is divided into parts; the first part explains how many tones are played. How many strings are tread, which rope starts and in which is finalized, the tones that are played and their sequential training, fret by fret; rope for rope. The second part of the route explains how that figure made up forms, trace the route. The

third part explains techniques to form, compose, and traces the route from the first-string treads on its corresponding fret up to the last. In this way is the explanation of the techniques to make a good requinto of natural tones in this E-Book to subsequently perform, carry out the largest foreign natural tones requinto e Interior around most of the internal and external frets of the fretboard of the guitar.


4 Free First Class Music Principles and Circuits Uni-Requinto Guitar and Music How to Sustems Online


VIDEOS

MUSIC PRINCIPLES AND HOW TO UNI-REQUINTO

 

 


Presentation of the structure of the essay in the E-Book

The requinto circuit is divided into four main parts, with two interior parts, internal parts, making a total of six major parts of the requinto, together with three other pieces more called attached which later also step by step explanation all nine parties. Two main procedures that

further on in this E-Book explain his method with their techniques in steps to follow procedure.


1. The first part starts at the fret twelve with our pinky finger and finalized it in fret seven with our finger void, thus drawing a diagonal with a zigzag in its Center in a trial of 5 / 10 minutes up to hours.


2. The second part of the tour starts here at the end of part 1 fret seven; 6th string and endedit in fret eight 5th string. The cycle at the beginning of this second part can be closed tomake a mini-circuit and repeated forward, reverse the circuit in a trial of 5, 10 minutes up to hours. In this second part is a plotted form a rhombus with the second of their paths triangles one less than the first fret.


3. In the third part of the course is formed principal equilateral Rhombus, a second and first diamond inside of the same size with one of its sides unequal making it a little smaller and a third and second diamond interior equilateral inside the main with all sides equal path only between three dishes together.


4. The fourth part of the journey it's started in fourth the third route tread; fret seven; 1st string and ended it in the same string first; nothing but now at the twelfth fret. In this quarter travel is traced one as triangular Pyramid Peak above. Can be a circuit also with this part minutes up to hours for forward and reverse; forward and reverse as warming in a pleasant and melodic repetition of the circuit trial by drawing a mountain in back and forth at the beginning between the seventh and twelfth fret.


Part 7, seventh tour and first Deputy is one attached to two of these four main parts, between the haves in parts 2 and 3 of the requinto second treads. Seventh itinerary that you can attach to the four main routes and make a single circuit between all the same outer forks This first Deputy tour begins in the second tread of the second tour main part 2, 5th string at fret five and ends in the third following tour part 3-tread, 3rd rope; at the five fret and continue as if you were in the third

route in reverse to the beginning of the third main route, most in front of reverse in the second route leading to the start of this tour first Deputy. Repeating the cycle for forward, reverse to inner travels attachments; towards the sixth parties, seventh part joining the first travel part one and continue at the start and continue with the second course, part 2; linking subsequently to the third tour, part 3 and close again the tour circuit in the same first run. "A link between the four main routes, two tours inland and the first Deputy travel."

The eighth and ninth parts are a Deputy interior tour, travel on the frets interior tuning fork stuck to the guitar. The eighth part is tracing of a single backslash in the middle of the fretboard fret by fret; rope for rope, starting on the 1st string; fret twelve as the beginning of the first part, the second Deputy tour ends on the 4th string; 15th fret (just above the 3rd rope as half of the fingerboard), for this way to proceed making up return travel, tracing a half of diagonally in half of the fingerboard of the guitar in the first four strings and the first four internal frets with a few followed sequential frets treads 12th, thirteenth, fourteenth and fifteenth sequentially starting at the first rope to continue to the 2nd, 3rd and 4th strings.


The ninth is the third and final interior journey which starts at the end of the eighth part and endswith a small discrepancy before in the 4th string; fret ten. Disagreement is because you pressed a5th rope fret ten of a tone more Yes! Although a tone that does not touch none of the previousparts Under the 5th string in a string and fret that if are one more natural tone of the requinto can end according to the main cycle (not jarring to the circuit of the requinto). This is on the same rope

4th 10th fret, which is the fourth tread of the first part, then finally towards the beginning of the initial circuit, as I can continue to complete the first part of travels and thus continue the parties

and subsequent tour.


Practicing and rehearsing with our fingers

There is a technique procedure that can be very good. Becoming is the requinto by parties full to train, learn, get to move in its structure with the guitar following the rhythm of the songs melodies among foreign dishes e interiors in the location of the major natural tones on the

fretboard of the guitar. To thus learn to easily touch tones, recognize when frets are, and which are tones that are tread on strings to activate the sound, and thus expedite navigation by stepping on it by rope in its corresponding fret; with the fingers of one of our hands. With this position each one of our fingers especially at the location of the requinto of greater natural tones to make the journey; finger by finger for each string; fret by fret, rope for rope.


Touch and step on each of the strings with only one of our same four front fingers of both hands. This time with the right hand: strings are activated to perform the corresponding sound with the left hand: is tread on the ropes in each fret exterior interior indicated and of the fingerboard to make that sound major natural tone is heard. Our side finger (thumb) of our hand with which the string is trigger used for once in each chord trigger 4th, 5th and 6th strings and thus make the bass

tones, low sound with guitar at the end, to the realization of the chords start and requinto which are explained in this E-Book and videos on the site. The thumb is also used as a margin to train, operate in a manner easily and nimbly chords and requinto with one of the 4 front fingers; making a margin, stopping the thumb of the hand that are activated the strings in the top vertical edge of the fingerboard which is glued to the edge of the top guitar body; in the small vertical part to the frets of the fretboard. With the hand with which the strings on the fingerboard are treads thumb is used to hug the neck and keep it as a margin for this way: stepping on the ropes with one of the four front fingers of the same hand in the indicated frets of the fretboard. The four front toes are called appointed: index (1) | medium (2}) | ring finger (3) | and pinky (4).


Fretted that tread in the fork and fingers that are activated in the strings

of the guitar

Same finger front of one of our hands that are activated each of the strings of the guitar and performed one major natural tone in the requinto, are they called front finger of your other hand with which tread is the same driven strings.


1. With the little pinky (finger 4) is pressed (touched and triggered) rope 1.

2. With the ring (finger 3) is pressed (touched and triggered) cord 2.

3. With the middle (finger 2) is pressed (touched and triggered) cord 3.

4. With the index (finger 1) is depressed (touched and triggered) the 4th string.

a. And we return to use fingers 2 and 3:

5. With the middle (finger 2) is pressed (touched and triggered) the 5th string.

6. With the ring (finger 3) is pressed (touched and triggered) last 6th string.

As it seen to get to use the index finger; reverse turns to use the middle finger and conversely is now stepping on the fifth string with the middle finger and with our ring finger of both hands of return is depressed and is now the sixth string again. And thus, touching and stepping on the

ropes at its corresponding fret climb and descend frets and step on the ropes in the indicated fret which is the more natural tone.


Frets of the guitar: 12 frets are outside of the guitar body most of the time (called external frets frets) and six frets are Interior (guitars are: seven frets in others: eight and five). Interior fretted because that are stuck on one end of the fingerboard at the edge of the guitar body

quarter, tuning fork with its targeted strings which are installed at the other end of the same guitar body quarter passing through its center where his mouth is. The guitar is its central hole where the hollow of her u inner hole of the guitar body has formed by where it enters vibrating strings and activated their emitted sound, echo formed tone.


REQUINTO

Perform the requinto between the frets of indoor e outdoor range is a game, art of trace the same route across parties, diagonals, reverse diagonal, symmetric asymmetric geometric figures like triangles, scalene equilateral e perforating and straight rhombuses, equilateral perforating, scalene. Geometric shapes formed with two three different sides as figures with a single half only a different side. Rope for rope; fret by fret, drawing towards a fret on one side, jumping is a fret certain times and touring at the same fret a string attached to the current rope top bottom; raising and lowering the rope.





TÉCNICAS PASOS PROCEDIMIENTO PARA REALIZAR UN RECORRIDO EN LOS TRASTES

DEL DIAPASON DE LA GUITARRA Y HACER SONAR LOS TONOS MAYORES NATURALES


Introducción: En este E-Book se enseñan un procedimiento dividido en recorridos, técnicas para realizar un requinto, requintos completos en el diapasón externo é interno a lo largo de todo el diapasón de la guitarra que sostiene las cuerdas. Se explica cómo está formado el ciclo, circuito del requinto por partes, dividido en 9 procedimientos técnicos, en desplazamientos de recorridos divididos por partes en el diapasón de la guitarra, para un buen ensayo del mismo, lograr aprender unas rutas del requinto fácilmente en casi todos los trastes internos y externos del diapasón de la guitarra al unirse todas sus partes entre los trastes exteriores é interiores del diapasón de la guitarra (trastes exteriores é interiores que se explican en uno de los primeros E-Books como la

parte del diapasón dividido en trastes que están sobre el cuerpo de la guitarra misma; trastes exteriores son los que están afuera en el diapasón, entre su maquinaria y el cuerpo de la guitarra misma). EL E-Book esta explicado en 1ª y 3ª persona (singular plural), ofrezco mis disculpas a mis lectores por si existiese un error de traducción, redacción, escritura, ortografía como cualquier error ortográfico, gramático, textual de transcripción que tuviera el mismo. El recorrido se explica en video y en este E-Book para su lectura y redacción. La explicación para hacer el recorrido del requinto está dividida en partes, la primera parte explica cuántos tonos se tocan. Cuantas cuerdas

se pisan, en que cuerda se inicia y en cual se finaliza, los tonos que se tocan y su formación secuencial, traste por traste; cuerda por cuerda. La segunda parte del recorrido explica cómo se forma, que figura compone, traza el recorrido. La tercera parte explica las técnicas para formar, componer y trazar el recorrido desde la primera cuerda pisada en su correspondiente traste hasta la última. De esta manera es la explicación de las técnicas para hacer un buen requinto de los

tonos naturales en este E-Book para posteriormente realizar, llevar a cabo el requinto de los tonos naturales mayores exteriores é interiores alrededor de la mayoría de los trastes internos y externos del diapasón de la guitarra.


Presentación de la estructura del ensayo en el E-Book

El circuito del requinto se divide en cuatro partes principales, con dos partes interiores, partes internas que hacen un total de seis principales partes del requinto, juntas con otras tres partes más denominadas adjuntas que posteriormente se explicaran también paso a paso todas las nueve partes. Dos procedimientos principales que más adelante en este E-Book se explican su método con sus técnicas en pasos a seguir de los dos procedimientos.


1. La primera parte se inicia en el traste 12 con nuestro dedo meñique y la finalizamos en el traste 7 con nuestro dedo anular, de esta manera trazando una diagonal con un zigzag en su centro en un ensayo de 5 / 10 minutos hasta en horas.

2. La segunda parte del recorrido se inicia aquí en el final de la parte 1 traste 7; 6ª cuerda y la finalizamos en el traste 8 quinta cuerda. Se puede cerrar el ciclo en el inicio de esta segunda parte para hacer un mini-circuito y repetirse para adelante, de reversa el circuito en un ensayo de 5, 10 minutos hasta en horas. En esta segunda parte se traza se forma un

rombo con el segundo de sus triángulos trazados un traste menor que el primero.

3.  En la tercera parte del recorrido se forma un rombo principal equilátero, un segundo y primer rombo interior del mismo tamaño con uno de sus lados desigual que lo hace un poco más chico y un tercer y segundo rombo interior equilátero interior al principal contodos sus lados iguales trazado solo entre tres trastes juntos.

4. La cuarta parte del recorrido se iniciamos en la cuarta pisada del tercer recorrido; traste 7; cuerda y la finalizamos en la misma cuerda ; nada más que ahora en el doceavo traste. En este cuarto recorrido se traza una como pirámide triangular pico arriba. Se puede realizar un circuito también con esta parte unos minutos hasta en horas para adelante y de reversa; para adelante y de reversa como ensayo calentamiento en una repetición amena y melódica del circuito trazando una como montaña en ida y vuelta al inicio entre el séptimo y doceavo traste. La parte 7, séptimo recorrido y primer adjunto es uno adjunto a dos de estas cuatro partes principales, entre las mitades en las segundas pisadas de las partes 2 y 3 del requinto. Séptimo recorrido que se puede unir a los cuatro recorridos principales y realizar un solo circuito entre todo el mismo diapasón exterior. Este primer recorrido adjunto se inicia en la segunda pisada del segundo recorrido principal parte 2, cuerda en el traste cinco y se finaliza en la tercera pisada del tercer siguiente recorrido parte 3, cuerda; en el traste seis y se prosigue como si se estuviera en el tercer recorrido de reversa para ir al inicio del tercer recorrido principal, más delante de reversa en el segundo recorrido principal para ir al inicio de este primer recorrido adjunto. Repitiéndose el ciclo para adelante, de reversa hacia los recorridos adjuntos interiores; hacia las partes sexta, parte séptima uniéndose al primer recorrido parte uno ycontinuar al inicio y continuar con el segundo recorrido, parte 2; enlazándose posteriormente al tercer recorrido, parte 3 y cerrar de nuevo el recorrido circuito en el mismo primer recorrido. “Un enlace entre los cuatro recorridos principales, dos recorridos interiores y el primer recorrido adjunto.” La octava y novena partes son un recorrido interior adjunto, recorrido en los trastes interiores del diapasón interior pegado a la guitarra. La octava parte es el trazar de una simple diagonal invertida en la mitad del diapasón traste por traste; cuerda por cuerda, iniciando en la 1ª cuerda; traste doce igual que el inicio de la primera parte, en este segundo recorrido adjunto se finaliza en la 4ª cuerda; quinceavo traste (poco arriba de la 3ª cuerda como mitad del diapasón), para con esta manera se pueda proseguir realizando el recorrido para arriba como de vuelta, trazando una mitad de diagonal en la mitad del diapasón de la guitarra en las primeras cuatro cuerdas y en los primeros cuatro trastes internos con unas seguidas secuenciales pisadas de los trastes doceavo, treceavo, catorceavo y quinceavo secuencialmente iniciando en la 1ª cuerda para proseguir a las cuerdas 2ª, 3ª y 4ª. La novena parte es el tercer y último recorrido interior con el que se inicia en el final de la octava parte y se finaliza con una pequeña discordancia en la 5ª cuerda; traste diez. 


¡Discordancia es porque pisa una cuerda de un tono mayor si! aunque un tono que no tocan ningunas de las partes anteriores. Se puede finalizar acorde al ciclo principal (no discordante al circuito del requinto) una cuerda debajo de la en una cuerda y traste que si son un tono mayor natural del requinto. Esto es en la cuerda; mismo decimo traste, que es la cuarta pisada de la primera parte, para finalizar posteriormente hacia el inicio del circuito inicial, como se puede proseguir para terminar la primera parte de los recorridos y de esta manera proseguir con las partes y recorridos siguientes.


Practicando y ensayando con nuestros deditos

Hay una técnica procedimiento que puede ser muy bueno. Es haciéndose el requinto por partes completo para entrenar, aprender, acostumbrar a desplazarse en su estructura con la guitarra siguiendo el ritmo de las canciones melodías entre los trastes exteriores é interiores en la ubicación de los tonos mayores naturales en el diapasón de la guitarra. Para de esta manera aprender a tocar fácilmente los tonos, reconocer en que trastes están y cuáles son los tonos que se pisan en las cuerdas para accionar el sonido, Y de esta manera agilizarse la navegación pisándose cuerda por cuerda en su correspondiente traste; con los dedos de una de nuestras manos. Para con esto posicionar cada uno de nuestros dedos especialmente en la ubicación del requinto de los tonos mayores naturales y hacer el recorrido; dedo por dedo para cada cuerda; traste por traste, cuerda por cuerda.

Se tocan y pisan cada una de las cuerdas con solo uno de nuestros mismos cuatro dedos frontales de las dos manos. En esta ocasión con la mano derecha: se accionan las cuerdas para realizar el sonido correspondiente y con la mano izquierda: se pisan las cuerdas en cada traste exterior é interior indicado del diapasón para hacer que se escuche el sonido tono mayor natural. Nuestro dedo lateral (dedo pulgar) de nuestra mano con la que se accionan las cuerdas es utilizado para una vez en cada acorde accionar las cuerdas 4ª, 5ª y 6ª y de esta manera hacer los tonos bajos, sonido bajo con la guitarra al terminar, para dar inicio de la realización de los acordes y requinto

como los que se explican en este E-Book y videos en el sitio. El dedo pulgar también se utiliza como un margen para entrenar, accionar de una manera sencilla y ágilmente unos acordes y requinto con unos de los 4 dedos frontales; haciendo un margen, deteniendo el dedo pulgar de la mano con que se accionan las cuerdas en la orilla vertical superior del diapasón que está pegado a la orilla del cuerpo de la guitarra del extremo superior; en la pequeña parte vertical a los trastes del diapasón. Con la mano con la que se pisan las cuerdas en el diapasón el dedo pulgar se utiliza para abrazar el diapasón y mantenerlo como un margen para de esta manera: pisar las cuerdas con uno de los cuatro dedos frontales de la misma mano en los trastes indicados del diapasón. Los cuatro dedos frontales son denominados o nombrados: índice (1) | medio (2})| anular (3)| y meñique (4).


Trastes que se pisan en el diapasón y dedos que se accionan en las cuerdas de la guitarra

Con los mismos dedos frontales de una de nuestras manos con que se accionan cada una de las cuerdas de la guitarra y realizan un tono mayor natural en el requinto, son con los mismos dedos frontales denominados de la otra mano con los que se pisan las mismas cuerdas accionadas.


7. Con el meñique (dedo 4) se pisa (se toca y acciona) la cuerda.

8. Con el anular (dedo 3) se pisa (se toca y acciona) la cuerda.

9. Con el medio (dedo 2) se pisa (se toca y acciona) la cuerda.

10. Con el índice (dedo 1) se pisa (se toca y acciona) la cuerda.


a. Y se regresa a utilizar los dedos 2 y 3:

11. Con el medio (dedo 2) se pisa (se toca y acciona) la cuerda.

12. Con el anular (dedo 3) se pisa (se toca y acciona) la última cuerda.

Como se observa al llegar a utilizar el dedo índice; de reversa se vuelve a utilizar el dedo medio y ahora inversamente se toca pisando la quinta cuerda con el dedo medio y con nuestro dedo anular de ambas manos de vuelta se pisa y toca ahora la sexta cuerda de nuevo. Y de esta manera tocando y pisando las cuerdas en su correspondiente traste subimos y bajamos trastes y pisamos las cuerdas en su indicado traste que forma el tono mayor natural.


Trastes de la guitarra: 12 trastes están afuera del cuerpo de la guitarra la mayoría de las veces (trastes denominados trastes externos) y seis trastes son interiores (en unas guitarras son:

siete trastes en otras: ocho y cinco). Trastes interiores porque que están pegados sobre un extremo del diapasón en ¼ de la orilla del cuerpo de la guitarra, diapasón con sus cuerdas dirigidas que son instaladas al otro ¼ de extremo del cuerpo de la guitarra misma pasando por su centro

donde está su boca. La boca de la guitarra es su orificio central donde tiene formado el hueco de su cuerpo ú orificio interior central de la guitarra por donde entra el vibrar de las cuerdas y se acciona su sonido emitido, eco tono formado.


REQUINTO

El realizar el requinto entre los trastes del diapasón exterior é interior es un juego, arte de trazar en el recorrido mismo por partes, diagonales, diagonales inversas, figuras geométricas simétricas asimétricas como triángulos equiláteros escalenos é isósceles y rombos rectos, equiláteros isósceles, escalenos. Figuras geométricas formadas con dos, tres lados diferentes como figuras con una sola mitad solo un lado diferente. Cuerda por cuerda; traste por traste, trazándose hacia un traste a un lado, brincándose un traste ciertas veces y recorriéndose en el mismo traste a una cuerda adjunta a la cuerda actual superior inferior; iby bajando la cuerda.

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Individual Uni-Requinto Pluging Natural Major Note Tones

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

REQUINTO
5 Free First Class Music Principles and Circuits Uni-Requinto Guitar and Music How to Systems Online


 VIDEOS

How to Play it and the Tour of Individual Uni-Requinto Natural major Note Tones on all Frets Fingerboard of A Guitar


 
Perform the requinto between the frets of indoor e outdoor range is a game, art of trace the same route across parties, diagonals, reverse diagonal, symmetric asymmetric geometric figures like triangles, scalene equilateral e perforating and straight rhombuses, equilateral perforating, scalene. Geometric shapes formed with two three different sides as figures with a single half only a different side. Rope for rope; fret by fret, drawing towards a fret on one side, jumping is a fret certain times and touring at the same fret a string attached to the current rope top bottom; raising and lowering the rope.
To practice and understand the full requinto travel is divided in 9 parts. The main requinto is divided into 4 main parts; (with 2 parts Interiors intact making a total of 6 main parts where an interior part is an over-part higher than third and the second part inside an inner subpart
integrated to the same third party). Parts subparts intact of the third part of the first 4 parts that may be tried individually as a cycle circuit for forward and return reverse; four main parts that make a total of 6. Takes place at Deputy later tour divided into 3 parts. The first part
attached below in external frets of the fretboard attached linked to the second and third of the main routes and two parties attached above on the frets of the Interior of the fingerboard on the shore next to the beginning of the first part fret twelve initial tour. First 4 main parts which are subsequently recommended to connect the end with the beginning of each back then united parties form the single largest natural tones requinto above; in the last six foreign frets
on the fretboard of the guitar. The main requinto can be interlaced with attachments travels on the first four frets outside down to one side of the main tour in two, three, four and five of seventh frets interlace part main 1 to the second and third attached parts which are subsequently explained in the first four frets Interior that are the last two attached parts subsequently also explained; the eighth and the ninth parts. In a first stanza: explains how many ropes tread, what string begins and ends the part of the route and the names of the tones that are formed. Later, at a second verse figure, explains geometric shapes that form in
each part of the six main routes and three accompanying tours. A third stanza explains the number of fret and corresponding strings that must be treads on for each of the nine parties that are explained in the following way: ebooks are sold pdf books.

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PRINCIPAL TOUR Individual Uni-Requinto Pluging Natural Major

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

Part 1, first travel

  

1. The first part of the tour is 6 tones that are played. A total of 6 different strings tread sequentially. The 1st string is first depressed and finally the 6th string is depressed. The names of tones in this first travel are: | Mi | La | Mi | Do | Fa | Ti |. In this first part is step sequentially all strings of the guitar, string 1st, 2nd, 3rd, 4th, 5th, and 6th strings, thus ends the first travel, part 1 that outlines a zigzag in the center of the width of the fretboard between all six strings together the six latest foreign frets of the fretboard. It starts stepping from the 1st string at fret twelve as home; finishing up to the 6th string at the seven fret as the end of the tour; latest tread the rope, marking thus the first stroke of the tour, by rope; fret by fret.

2. On this tour are traces a diagonal across the width of the fretboard along in the second half of the fingerboard from fret twelve to seven frets. Diagonal that is cut bent with a zigzag in the Center, traced to parting from this way the diagonal on two small diagonal means towards the ends of the width in the second half of the fingerboard.

3. It starts on the 1st string at fret twelve, later we jumped we fret once and is depressed the 2nd rope at the ten fret; Now we move us only a fret down and is depressed the 3rd rope at the fret nine being the third fret which is depressed; then we got on the ten fret again and it is here where we began to zigzag in the middle of drawn Diagonal Avenue, the second half of the fingerboard. "Zigzag that is drawn between the strings 3rd and 4th frets about nine and ten." In this way the 4th string up to fret ten now being the fourth fret which is pressed is pressed, later we now continue to jump over the fret nine for down the fretboard and is depressed rope 5th in the fret eight, penultimate fifth fret which is depressed. Finally he continues to move when tread on one fret below the fingerboard and is depressed the rope 6th fret seven string and fret final. In this way we finished draw the diagonal with the zigzag in the Centre in all six strings of the guitar.

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Part 2, second course Individual Uni-Requinto Plugs Natural

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

Part 2, second course

 
1. The second part of the tour is 4 tones that are played. A total of 3 different ropes tread. The 6th string is first depressed and finally the 5th is depressed rope. Tones in this second tour names are: | Ti | Re | La | Fa |. Travel tread, 6th, 5th, 4th and 5th last three string guitars. Repeating once the 5th string guitar and thus is completed the second course; Part
2 that traces a geometric figure as perforating with a smaller fret in its second half. It starts stepping from the 6th string at the fret seven as home; finishing up to the rope 5th again in the eight fret as end of travel last tread rope; thus marking the second stroke of the tour.
2. This route is traced a diamond, which are two side triangles joined at their bases as a geometrical figure called lying Rhombus, Rhombus of side with its two side triangles joined at their bases. On the tour the last three strings of guitar, string 6th, 5th, 4th and 5th only tread sequentially again. Turning to step on the 6th string at the 7th fret to close the Rhombus; circuit only between four unique same frets of the guitar: the fret five, six, seven and eight fret. With a first half of the Rhombus, height of the first triangle's side traced a fret is larger than the second triangle of track side, with equal amplitude in the center of the diamond; the basis of both United side triangles. In travel techniques of stepping on the ropes is sequential, the last three strings of guitar, string 6th, 5th, 4th, and 5th step again.
And stepping back on the 6th string at the initial fret on this second tour closes the Rhombus.
3. It starts on the 6th string at the fret seven; the fret jumps six for down the fretboard and rope 5th in the five fret is pressed, is subsequently jumps six above the fingerboard fret and is depressed the string 4th fret seven again being the third fret which is pressed in and marking is the first triangle of side; and finally moves a fret above and the 5th string is depressed now at the fret eight being the fourth and final later fret which is depressed. Thus closes the geometrical figure returning to step on the fret seven string 6th initial, closed, performing circuit that its layout can be repeated a cycle, circuit as trial, part 2 training. Starting from the last rope tread on the first tour; ending in the pen-ultimate tread part 1 rope and closing the geometrical figure drawn on same travel initial fret and string. tecnicas guitarra artes y entretenimiento

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Part 3, third tour Individual Uni-Requinto Plugging Natural

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

 Part 3, third tour 


 

1. This is the third main route, part 3. A journey that is made up of the other two sub-tours known as internal routes. The first is called over-interior and the second course of this third main tour called: inner journey. In the third main tour and first domestic travel; fourth tour; Part 3.1, travel over-interior. 6 tones are that are played. Step 4 first strings of the guitar, first the 4th string and finally the 3rd rope, in these first two tours is depressed. In the second domestic travel; fifth tour; Part 3.2, are only four tones that are played. The first 3 strings of the guitar, is step on first 3rd rope and finally the 2nd rope, is depressed.

Tones in this third tour main names are | La | Do | Fa | Ti| So | Mi |. Travel in the 4th, 3rd, , 1st, 2nd and 3rd strings of the guitar are sequentially treads. Repeating once the 2nd and 3rd strings of the guitar. Thus, ends the third main route; Part 3 that traces a geometric figure like equilateral. It starts stepping from the rope 4th at the fret seven as home; and ends to the 3rd string at fret 9 as the end of the tour; latest tread the rope; trace in this way part 3; third tour main.

2. In this third main route is plotted like an equilateral Rhombus; Figure 2; tour part 3. In this third main tour and its first internal travel only treads on equal, in a similar way the first four strings of the guitar: 4th, 3rd, 2nd, 1st, repeating the 2nd rope again, the 3rd string is depressed at the initial fret seven again. Returning to tread on the 4th string to close the geometric figure; in this way moving and becoming a cycle, circuit only between five unique and same frets of the guitar; the fret five, six, seven, eight and fret nine. This tour is performed sequentially from the third string is tread in part 2; second course and ends with one last tread that sits under the same string that starts this third main tour displaced two frets up, 3rd rope making tone Mi at the fret nine. Turning to step on the rope in 4th with which the route begins to close the geometric figure, start the cycle again. And becoming in this way a circuit to test, training, and reverse in this third main part of the requinto of major natural tones on the fretboard of the guitar.

3. The tour is sequential on the frets. Fret seven is the initial fret on the 4th string, subsequently is jumps a fret down in this step the fret six jumps and the fifth fret is the second fret on the 3rd string, now we go up one fret up and the six fret is the third fret after treading the 2nd rope, to subsequently scroll one fret further up and ruined seven is the fourth fret later and last on the 1st string to scroll a fret more up and the eight fret is the fifth fret penultimate treading the 2nd rope and back, finally moves another fret further up and ruined nine is the last fret on the 3rd string. And we close the geometric figure as equilateral in this procedure, climbing a rope up and down back two frets on the

fingerboard to initial the fret and string for stepping back on the 4th string and fret seven will realize the cycle, circuit testing and training.

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Fourth tour Individual Uni-Requinto Plugging Natural Major

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

 Fourth tour


 

a. Fourth tour; Part 3.1.1: Part 4 / 3.1, Subpart 1; travel 3.1.1, this tour is a journey that is called travel over-interior, travel similar to the third route, only with the last stroke mapped to the inverse to the last stroke of the third tour main, penultimate stroke a little short. This inner journey makes a geometric figure as scalene, perforating of 5 sides. In total there are 6 tones which are played. In the fourth tour; first internal to the third travel, is tread in total the same 4 cords; 4 first strings of the guitar, with the last of the third main travel reverse stroke; Part

3, is step first on the 4th string and finally the 3rd string is depressed. Tones in this tour over-interior names are: | La | do | Fa | Ti | So | Re |. The tour is treading sequentially also the 4th, 3rd, 2nd, 1st, 2nd and 3rd strings of the guitar repeating once the 2nd and 3rd string guitar in this way finally the fourth tour, part 3.1, which traces a geometric figure semi-scalene interior perforating a third travel part 3. It starts treading from the rope 4th at the fret seven; and ends to the 3rd string at fret

seven as the end of the tour, last tread the rope. Mapping in this way a quarter tour parts 3.1 of the third route. The tour is sequential on the frets in this tour are 6 different tones that are played all six treads that occur in only the first 4 strings from the fingerboard of the guitar.

b. Tour part 3.1.2: in this tour over-interior is plotted as a diamond scalene perforating, as fourth tour of the third run part 3.1 This route only equal tread in a similar way the first four strings of the guitar: 4th, 3rd, 2nd, 1st and the string 2nd and 3rd again. Returning to tread on the 4th string to close the geometric figure; in this way moving and doing a cycle, circuit only between only four and same frets of the guitar; the fret five, six, seven and fret eight. This fourth tour, part 3.1 is performed sequentially in the same way starting from the third string is tread on the second tour and ending with a last tread that sits under the same string that starts this tour, at the fret quarter seven 3rd rope making tone Re. back to step on the 4th same string that starts the journey to close figure geometric cycling; circuit to test, training, reverse in this travel room of the requinto of major natural tones on the fretboard of the guitar.

c. Tour part 3.1.3: the tour is sequential on the frets. It starts by stepping on the rope 4th at the seven fret as initial fret and string; then it jumps down the fingerboard for the six fret and stepping on the 3rd string on the fifth fret is as follows; Now we got a fret up and stepping on the 2nd string at the six fret is the posterior third fret; We move a fret further up and stepping on rope 1; at the fret seven is the fourth fret last and back, move us one fret further up and stepping on the 2nd string at the fret eight is the fifth fret after subsequent and penultimate, we finally move us one fret down and stepping on the 3rd string at fret seven is the last fret. And close the geometric figure climbing a rope high in the same fret seven stepping back on the 4th string and fret initial to cycle, circuit trains.

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Fifth tour Individual Uni-Requinto Plugging Natural Major

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

 Fifth tour 

  

a. Fifth tour; Part 5 / 3.2, Subpart 1; Route 3.2.1. This tour is a journey that is called interior tour of the third route part 3. In total there are 4 tones that are played; by rope; fret by fret. In total is treaded the first 3 string guitar. The 3rd rope is step first on and finally the 2nd rope is pressed. Tones in this tour attachment names are | Re | Mi | Ti | So. Travel step sequentially the 3rd, 2nd, 1st and 2nd strings guitar, repeating once 2nd string of the guitar to thus finish the fifth tour, part 3.2, which traces an equilateral geometric figure inside the third route part 3. It starts stepping from the 3rd rope in the fret seven as home; finishing up to the 2nd rope at the fret eight as end of the trail tread last rope; mapping in this way a fifth tour, part 3.2 of the third route. The tour is sequential on the frets in this tour are 4 different tones that are played all four treads that occur in only the first 3 strings of the guitar fingerboard.

b. Tour part 3.2.2: on this inner journey draws a like equilateral Rhombus as a fifth tour of the third run part 3.2. This route only tread equal in a similar way the first three strings of the guitar: 3rd, 2nd, 1st and the 2nd rope again. Returning to stepped on the 4th string to close the geometric figure; in this way moving and doing a cycle, circuit only between only three and same frets of the guitar; the fret six, seven and fret eight. This fifth tour, part 3.2 is performed sequentially in the same

way starting from the string 3rd fret 7 and ends with one last tread that sits under the same string that starts this fifth tour eighth fret, at the fret eight 3rd ropes that makes Sol tone. Turning to step on the same 3rd rope with which the route begins to close the geometric figure, start again, performing cycle circuit for testing, training, reverse in this fifth tour of the requinto of natural tones higher on the fretboard of the guitar.

c. Tour part 3.2.3: travel is sequential on the frets. the seven fret is the initial stepping on the 3rd string, lowers a rope with a reverse fret six stepping on rope 2, lowers one rope more now going up a fret advancing seven ruined now stepping on rope 1, ended up a rope up another fret advancing to the eight frets on the 2nd string. And close the geometric figure by drawing the equilateral Rhombus at the same fret seven initial stepping back on the 3rd string and fret initial. Thus closes the geometric figure, moving back to the seven-fret stepping on the 3rd string back to a cycle as test, circuit training.

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Part 6, sixth tour Individual Uni-Requinto Plugging Natural

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

Part 6, sixth tour 



1. Part 6, sixth tour. The tour is called travel over - inter-deputy-inside the third tour part 3. In total 5 tones are activated between 3 first strings of the guitar making a total of 4 different tones with one that is repeated. The first rope is first tread and rope 1 is finally pressed again at the end of draw the geometric figure. Tone Mi is which is repeated once,amounting to a total of 5 powered tones between the last six foreign frets above the fretboard of the guitar. Sequential tones in this enclosed tour names are: | Ti | So | Mi | La | Mi |. Travel in the 1st, 2nd, 3rd, 2nd and 1st strings of the guitar is sequentially treading.


Repeating once the 2nd and 1st strings of the guitar to this way to finish this sixth tour part 6 mapping; the apex of a figure geometric. It starts stepping from the 1st string at the seven fret as home; finishing up to the same rope 1st at fret twelve as the end of the tour, last tread the rope; thus marking the sixth tour, part 6.

2. It is a journey that is drawn to a mountain; top of a pyramid; the apex of a triangle, upper sides of a mountain, equilateral, isosceles triangle as a geometric figure. The tour starts by pressing the string 1st at the fret seven in the fourth the third main route tread, part 3.

Travel in the 1st, 2nd, 3rd, 2nd and 1st strings of the guitar is sequentially treading. Repeating once the 2nd and 1st strings of the guitar, to end in this way the sixth tour part 6, travel back to the two inner parts (parts 4/3.1 and 5/3.2) third tour main, part 3 is a total of 6 studied tours. Mapping in this way the sixth tour, part 6 of the requinto. The tour is sequential on the frets in this tour are 4 different tones that touch of five treads that occur in only the first 3 first strings of the guitar fingerboard. The tour only tread sequentially the first three strings; rope for rope, fret by fret: 1st, 2nd, 3rd, 2nd, and finally the 1st string to close the figure geometric; moving among six recent frets up outside the fingerboard of the guitar, fret seven, eight, nine, ten, eleven and twelve frets as the last fret of the tour.

3. The tour is sequential on the frets, seven frets is fret initial treading the string first; then upload and jumps to the fret eight on the 2nd rope, rises one fret more and ruined nine is the third fret on the 3rd rope; moves one fret further up and fret ten is the fourth fret penultimate stepping on again the 2nd rope; the eleven fret jumps and reach as last fret twelve stepping on again the rope first. And in this way forward, reverse by the same path is the cycle, circuit test, training? Thus, charting a top of a mountain, forward, equilateral triangle in reverse by the same way, traced with the guitar forward and reverse.

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TRAVEL DEPUTY LATER Individual Uni-Requinto Plugging Natural

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

Part 7, seventh tour and first Deputy


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Part 7 Seventh Tour And First Deputy

 

 


a. This is a seventh tour, part 7 of all the routes in total and first part of these 3 tours attachments. This first tour Deputy is one attached to the second and third main routes. In this seventh tour are 9 times the tones that are played operated. All 6 strings guitar repeating itself once the 2nd and 3rd 5th string is treading altogether. The 5th string is step first

on and finally the 3rd is depressed rope. Tones in this tour room names are: | Re | So | Ti | Fa | La | Re | La | Fa | Do |. The tour all the strings of the guitar are sequentially treaded. Repeating after the 5th, 2nd and 3rd strings of the guitar and thus ends this seventh tour as first travel attached to two of the four main parties. It starts treading from rope 5th in the five fret as home; and ends to the 3rd string at the same five fret as the end of the tour, last tread the rope; mapping in this way the first last tour Assistant.

b. The single route trace one as open geometric figure even with two groups of zigzags, the first group is two switchbacks and the second only a full zigzag. Figure inaccuracy, without form (as one half piece of a geometry that it is missing to close, binds, figure attached to the main parts of the requinto; part 2 and part 3. Starts the second tread of the second main course, part 2 and ends in the second tread of the third main route, part 3. The tour treads sequentially the 5th, 6th, 5th, 4th, 3rd, 2nd, 1st, 2nd and 3rd strings of the guitar. They are repeated after the 5th, 3rd and 2nd strings of the guitar, thus ends the seventh tour, first Deputy part that draws one as open geometric figure uniform. It starts treading from rope 5th in the five frets as home; and ends on the third string at the same five frets as the end of the first tour Deputy, last tread the rope drawing in this way the seventh tour, first part attached to the main circuit of the requinto. Travel is sequential on the fretboard with a fret separated from distance in the first movement in this first travel assistant and first offset in part 1 of the main course one two occasions later. On this tour are 6 different tones which are operated nine Footfalls between all six strings of the guitar. In travel step sequentially on the six strings; rope for rope, fret by fret: 5th, 6th, 5th, 4th, 3rd, 2nd, 1st, 2nd and last the 3rd rope to move among five foreign frets of the fretboard of the guitar; the fret two, three, four, and five and fret six as the penultimate fret of the tour.

c. Five frets is fret initial stepping on the 5th string, are subsequently downloaded two fretsjumping fret four ruined three climbing a rope now on the 6th string, starts the stroke ofthe first zigzag of group one off a fret a rope down to tripped again the 5th string now atfret two, ending zigzag one is pressed again the fret three at the 4th string subsequently two zigzags of the first group of zigzags starts moving again now a fret down new treading the 3rd string at fret two, closes last zig-zag in the group one in the fret four down to the 2nd rope now, to follow the outline of the normal five fret diagonal now stepping on rope 1. Subsequently starts the unique zigzag of the second group moving up at the fret six string 2 to finalize the zigzag and the first Deputy travel; Part 7, in ruined five on the 3rd string. And this way forward reverse by the same path is the cycle, test circuit; training from reverse to forward along the same path of strokes.

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Part 8, eighth tour and second Deputy Individual UniRequinto

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Part 8, eighth tour and second Deputy


1. This is an eighth tour, part 8. It is a journey to one side attached to the first main tour. In this eighth route are 4 tones to be operated, the 4 first strings of the guitar are tread altogether. The rope 1st is first tread and finally the 4th string is depressed. Tones in this tour room names are: | Mi | Do | La | Fa. In travel step sequentially on the first four strings of the guitar giving terminate this eighth route; Part 8, second Deputy party on the 4th string. It starts stepping from the 1st string at fret twelve as home; finishing up to the 4th string at the fifteenth fret as final travel last tread rope; marking thus the eighth tour part 8 and penultimate second course enclosed.

2. The only route traces a reverse bias. starts at the first tread of the first tour of the 4 main part 1; string 1st fret 12 and ends on the 4th string; 15th fret. In travel step sequentially on the 1st, 2nd, 3rd and 4th strings of the guitar and thus ends the eighth tour part attached that takes place on the first four frets interior of the fingerboard of the guitar next to the home of the first main tour part 1. It starts stepping from the 1st string at fret twelve as home; and it ends in the string 4th fret fifteen as the second Deputy Tour part 2 last tread. Travel is sequential on the frets in this tour are 4 different tones which are operated four footprints that occur in different 4 first strings three first interior frets and the latter outside thefingerboard of the guitar fret. The tour is equential on the frets, the first four strings; ropes rope, fret by fret: drawing a diagonal reverse in the first four strings of the guitar between four frets.

3. The trip is short; sequential on the frets. the outer fret twelve is the fret initial treading the string first; subsequently gets a fret the interior trashing thirteen treading the 2nd rope; later following another fret up is stepping on the 3rd rope in the inner fret fourteen, is now continuing to climb up another fret up and finally is depressed at the interior fret string 4th fifteen. And in this way forward, reverse by the same path is the cycle, test, training, circuit reverses by the same route. 

a. This is a seventh tour, part 7 of all the routes in total and first part of these 3 tours attachments. This first tour Deputy is one attached to the second and third main routes. In this seventh tour are 9 times the tones that are played operated. All 6 strings guitar repeating itself once the 2nd and 3rd 5th string is treading altogether. The 5th string is step first on and finally the 3rd is depressed rope. Tones in this tour room names are: | Re | So | Ti | Fa | La | Re | La | Fa | Do |. The tour all the strings of the guitar are sequentially treaded. Repeating after the 5th, 2nd and 3rd strings of the guitar and thus ends this seventh tour as first travel attached to two of the four main parties. It starts treading from rope 5th in the five fret as home; and ends to the 3rd string at the same five fret as the end of the tour, last tread the rope; mapping in this way the first last tour Assistant.

b. The single route trace one as open geometric figure even with two groups of zigzags, the first group is two switchbacks and the second only a full zigzag. Figure inaccuracy, without form (as one half piece of a geometry that it is missing to close, binds, figure attached to

 the main parts of the requinto; part 2 and part 3. Starts the second tread of the second main course, part 2 and ends in the second tread of the third main route, part 3. The tourtreads sequentially the 5th, 6th, 5th, 4th, 3rd, 2nd, 1st, 2nd and 3rd strings of the guitar. They are

repeated after the 5th, 3rd and 2nd strings of the guitar, thus ends the seventh tour, first Deputy part that draws one as open geometric figure uniform. It starts treading from rope 5th in the five frets as home; and ends on the third string at the same five frets as the end of the first tour Deputy, last tread the rope drawing in this way the seventh tour, first part attached to the main circuit of the requinto. Travel is sequential on the fretboard with a fret separated from distance in the first movement in this first travel assistant and first offset in part 1 of the main course one two occasions later. On this tour are 6 different tones which are operated nine Footfalls between all six strings of the guitar. In travel step sequentially on the six strings; rope for rope, fret by fret: 5th, 6th, 5th, 4th, 3rd, 2nd, 1st, 2nd and last the 3rd rope to move among five foreign frets of the fretboard of the guitar; the fret two, three, four, and five and fret six as the penultimate fret of the tour.

c. Five frets is fret initial stepping on the 5th string, are subsequently downloaded two frets jumping fret four ruined three climbing a rope now on the 6th string, starts the stroke of the first zigzag of group one off a fret a rope down to tripped again the 5th string now at fret two, ending zigzag one is pressed again the fret three at the 4th string subsequently two zigzags of the first group of zigzags starts moving again now a fret down new treading the 3rd string at fret two, closes last zig-zag in the group one in the fret four down to the 2nd rope now, to follow the outline of the normal five fret diagonal now stepping on rope

1. Subsequently starts the unique zigzag of the second group moving up at the fret six string 2 to finalize the zigzag and the first Deputy travel; Part 7, in ruined five on the 3rd string. And this way forward reverse by the same path is the cycle, test circuit; training from reverse to forward along the same path of strokes.

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In English and Spanish

INITIAL TECHNIQUES FOR PRACTICE, PLAY AND

LEARN GUITAR

INDEX                                                                                                       Page

INITIAL TECHNIQUES FOR PRACTICE, PLAY AND LEARN GUITAR

Acknowledgments ………………………………………………………………………... 4

Introduction:…………………………………………………………………………………. 4

Initial techniques of procedures to practice, touch, play and learn guitar.

Techniques for practicing and learning guitar

Using first the 6th string………………………………………………………………………………………………. 5

Subsequently begins to operate tightening and at the same time adjusting……………………………...................................................................……. 5

Subsequently down to adjust using the 4th string……………………………………………………………………….......................…… 5

The tones of the strings of the guitar from the sixth 6th towards the first 1st are:…………………………......................................................................… 6

Primary to test forms are:……………………………………………………………………………………………………….. 6

1. First procedure:…………………………………………………………………………………………………….…. 6

2. Second procedure: ……………………………………………………………………………………………………….. 6

3. Third procedure: ……………………………………………………………………………………………………….. 6

4. Fourth procedure: ……………………………………………………………………………………………………...… 7

5. Fifth procedure: ………………………………………………………………………………………………………… 7

starting 3 times with our four front toes as well: …………………………………………………………………….,.…....................................… 7

The tour is done evenly charting mountain peak above, peak down, ………………………………..……..,.…........................................................................... 7

}(*!*){

En Español é Inglés

TÉCNICAS INICIALES PARA PRACTICAR, TOCAR Y

APRENDER GUITARRA

ÍNDICE Pagina

TÉCNICAS INICIALES PARA PRACTICAR, TOCAR Y APRENDER GUITARRA

AGRADECIMIENTOS: ..……………………………………………............................... 8

INTRODUCCION: ……………………………………………………………………............ 8

Técnicas Iniciales de procedimientos para practicar, tocar, Tocar y aprender guitarra.

Técnicas iniciales para practicar y aprender guitarra

Accionándose primero la 6ª cuerda……………………………………………......... 9

Posteriormente se comienza a accionar apretándose…………….............. 9

Posteriormente se baja a ajustarse accionándose…………………………...... 9

Luego al afinarse las guitarras con los componentes ó afinadores de cuerdas de guitarra

electrónicos ……………………………………………………………………………………... 9

Los tonos de las cuerdas de la guitarra desde la sexta 6ª hacia la primera 1ª son:……………..………......................................................................................… 10

Un entrenamiento ó practica inicial con la guitarra:……………………….... 10

Las formas primarias para ensayar son:

1. Primer procedimiento: …………………….…………………………………….......… 10

2. Segundo procedimiento: ………………….………………………………………...… 11

3. Tercer procedimiento: ………………….…………………………………..............… 11

4. Cuarto procedimiento: ………………….……………………………………….......… 11

5. Quinto procedimiento: ………………….…………………………………………....... 11

El recorrido se realiza uniformemente trazándose ……………………......... 12

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Part 9, ninth tour and third Deputy Individual UniRequinto N

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

Part 9, ninth tour and third Deputy



a. This is a ninth journey; Part 9, third tour Assistant. Rear travel, which follows next, above, together with the second course enclosed; Part 8 that starts at the outer fret 12 equal at the start of the first major tour initial e. In this ninth tour are 5 tones to be operated. The latest 3 string guitar treads altogether. The 4th string into the inner pan is first pressed fifteen and finally is pressed again the rope 4th into the outer Pan ten. Tones in this tour room names are: | Fa | Ti | Mi | So | Do|. The tour is treading sequentially the last three string guitar, giving end this ninth tour; third party included in the initial string 4th. It starts

stepping from the 4th string into the inner Pan fifteen as home; and ends in the same 4th string initial now at the outer ten frets like fret end of the tour, last tread rope; mapping in this way the ninth tour main of the total of nine main parts of routes and the latter third tour Deputy of the total of three tours attachments of the requinto of major natural tones.

b. The only route trace one such as apex, apex of a triangle, starts on the 4th string; fifteen fret inner tread the eighth tour last attached to part 1 of the 4 mains, and ends on the same rope 4th; now at the tenth fret outside. In travel sequentially tread of the 4th, 5th, 6th, 5th and 4th strings guitar finishing thus the ninth tour part 9, third Deputy Part that is performed between the frets outside ten and fifteen inside the fretboard of the guitar. It starts stepping from the 4th string into the inner Pan fifteen as home; and ends on the same string 4th fret outside ten as final and last tread this ninth last tour; third and final Travel Assistant; marking is thus the last ninth tour, last third part attached to being in Interior and exterior dishes on one side of the circuit of the requinto. The tour is sequential on the frets in this tour are 5 different tones to be operated between five treads between strings last 3 between the last three foreign frets and the first three frets interior of the fretboard of the guitar. On the tour the last three strings of the fingerboard of the guitar, is treaded sequentially by rope, fret by fret: mapping in this way a cusp, superior vertex of a triangle.

c. Starts at the last tread of the second Deputy travel into the inner Pan fifteen on the 4th string, subsequently lowered a fret the interior trashing fourteen on the 5th string, now jumping a fret down again we drove us up the exterior fret twelve on the 6th string, you continue jumping is down again now the fret once managing to ruin ten now stepping on the 5th string, and finally is continuing now only a rope down treading in the same tenth fret outside to join to the first tour main tripped his fourth tone powered in part 1 of the four main routes, the 4th and last rope tread in this third and final tour Assistant. And in this way forward, reverse along the same path is the cycle, circuit of essay, ongoing training. Performing in this way a mixture of each of nine parts main and supplied of all the routes, going forward, reverse between the beginning and end of each of the tours. Starting with the last tread end of each of the nine parties’ strings jumping a fret, displacing one of the frets of the sides on the way to thus make the connections with the end of each of the parties of the leading tours and attachments at the end of the same. In this way can be well the requinto guitar easily with a few minutes, desired test, warm-up, training time.

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Minimal Simple Step x Step Procedures Individual UniRequinto

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

 Minimal Simple Step by Step Procedures 


Hi there! To navigate; make a requinto on the fretboard of the guitar is very simple and easier for those who like are passionate about with the geometry.

1. Four main routes that divides the requinto with their interior

tours:

• This is the first travel: the first course is composed stepping once the 6 strings between frets last six foreign. | | | | | |

The start is at the 1st string at fret twelve, continue to the 2nd rope at the fret ten, then moves on to the rope at the fret nine 3rd, then continues in the string 4th fret ten again; continue to the fifth string at the fret eight and ends on the rope 6th of the 7 fret.

• This is the second course: the second course is composed stepping 4 times between the frets in only 3 last strings. | | | | |

Its beginning is here on 6th string at the fret seven, continues to the fifth string at the fret five, is subsequently passed to the 4th string at fret seven and ends on 5th string at the fret eight. And is the circuit for forward reverse a few minutes to try it.

• This is the third tour: in the third tour is stepped on the first four strings between four frets of the fretboard of the guitar. | | | | |

His start is on the 4th string at the fret seven, continues to the third string at the fret five, is subsequently passed to the 2nd rope at the six fret, continues to 1st string at the seven fret, then follows string 2nd fret eight to finish in the 3rd rope at the nine fret.

o This is a first tour full over-interior to the third path: the first internal travel is between the same frets: | | | | |

Its inception is as this third tour past, starts here the same string at the fret seven 4th, continue to the 3rd string at the five fret, then continue to the 2nd rope at the six fret, is subsequently passed to the rope at the fret seven

first, then moves to the 2nd rope eight fret for completion in rope at the seven fret 3.

o This is the second and last tour entire inside: the second course full interior is among only three frets: | | | |

Beginning in the 3rd string at fret seven, is continued to the second string at the fret six, to then continue to the 1st string at the fret seven again and finish on the 2nd string at the eighth fret.

• And this is the last main travel room: where they will step on the first three strings in five frets between the same 6 initial frets. | | | | | | |

The start is in the string 1st fret 7, continue to the 2nd rope at the eighth fret, then is continuous to the 3rd string at fret 9, continue to the 2nd rope at the fret ten and ends on the first rope jumping the 11th fret on the string at fret twelve.

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2. Three accompanying tours Individual Uni-Requinto Natural

Music Principles and Step By Step Individual Uni-Requinto the 9 Circuits Techniques The EBook

2. Three accompanying tours  



Minimal Simple Step by Step Procedures |

| 2. Three accompanying tours that can be attached to the

main cycle/routes divided into parts which form the

main requinto:


1. This is the first tour Assistant: the first course is made in stepping on the 6 strings (and repeated a second time the first three strings) between foreign dishes five, four, three, and second. The four fret is not depressed. | | | | ||

a. The start is on the fifth string at the five fret, it continues to the 6th string at the three fret, then moves on to the 5th string again in the two fret, then continue on the fourth string at the three fret again; continue to the 3rd string at fret two, continue to the 2nd rope at the three fret again second again, is continued to the first rope at the fret five jumping is the fourth foreign fret, is continuous at the fret six string second and ends on the 3rd string at the five fret.


2. This is the second and penultimate tour Assistant: the second course is composed stepping sequentially only once the 4 first (the guitar strings between the Interior fret twelve, thirteen, fourteen and fifteen.

| | | | | |

b. The procedure is simple. The start is at the 1st string at fret twelve; continue to the 2nd rope at the thirteenth fret, subsequently passed to the 3rd at the fourteenth fret, and ends on the 4th string in the

fifteenth fret.


3. This is the third and final tour Assistant: the third tour is composed stepping sequentially last 4 strings (guitar (repeating once again the 5th and 4th strings) between foreign dishes Interior e ten, eleven, twelve, thirteen, fourteen and fifteen.) Frets not treaded eleven and fourteen.

| | | | | |

c. The procedure outlines a cusp of a triangle. The start is on the 4th string in the fifteenth fret, continues to the fifth string at the fourteenth fret jumping the thirteenth fret, is subsequently passed to the 6th

string at fret twelve, continues the 5th string again now at the fret ten, and ends just by lowering a rope at the same fret ten treading the 4th string in this last time. And these are the whole of the two procedures. In the first procedure 9 cycles, circuits of the requinto in its main parts, to continue with a second procedure of cycles, circuits of the three tours attached to the requinto to practice forward, reverse a few minutes, hours, desired time to be tested and learn the requinto and their accompanying tours.

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READ INITIAL TECHNIQUES PRACTICE, PLAY AND LEARN Step xStep

READ INITIAL TECHNIQUES FOR PRACTICE, PLAY AND LEARN GUITAR

INITIAL TECHNIQUES FOR PRACTICE, PLAY AND

LEARN GUITAR

Acknowledgments: I want to thank my popular acoustic guitar teachers who taught me to learn the guitar which is what is taught and that is what I have been doing and with what I've learned most practicing guitar in my free time. I want to thank one of my teachers was to start his teachings in class and I learned all the tones that form all six strings guitar and at each fret exterior e interior tuning fork when he stepped on the strings on the fretboard with the travel major initial e. The first tour that is taught to perform, rehearse in class. Practice initial taught in your class: start with the route as from the very beginning to take the class and practice a guitar in our hands.


Practice is recommended as initial education and continue to practice guitar learn it and play it later for high school is, learn and understand more about the music and the guitar. I want to thank my teachers I've ever met, seen to touch, to all the readers of my book especially all guitarists. I offer my apologies for any errors or damage that might have translation, drafting or transliteration of the text in this E-Book that I offer available to you, thank you.


Introduction: this is a practical course with some simple techniques recommended for playing guitar with some techniques to practice, rehearse as learn more easy to play guitar with the diversification obtained with the guitar make more easy or playfully know the position of the tones that are formed by stepping on one of the frets on the fretboard with a well-tuned guitar and make learning more efficiently a requinto management with the our fingers. After know and/or have known as tune a guitar virtually with our ear (to thumb-eye) or an electronic device; electronic guitar strings special tuners to tune with internal sounds specially designed to be perceived by the tuner with a lever handle or needle who becomes the center of a measure or

measuring rods range to tune each string of the guitar e match the sound emitted by strings to tighten them [or loosen them (first fast or quickly to subsequently go tweaking slowly rope to reach or even more natural tone) to tighten them and] at the same time be pressing each of the strings of the guitar are adjusted to match the sound that is perceived and measured by the electronic device when equal tone or sound specific of each of the strings. Subsequently to know how they can will the strings of a guitar will start to practice the 4 or 5 ways which in this E-Book are taught to practice and play a guitar later with strumming which is operated all or stop the strings of the guitar with a rose in the same and a requinto, which in this case is to operate a single rope treading in an indicated the fingerboard of the guitar fret to the time fret by fret; rope for rope with a sequence for later with a series of ropes powered treads sequentially one treading and triggering specific string at specific fret.


__________________ (*!*)______________________


TECNICAS INICIALES PARA PRACTICAR, TOCAR Y

APRENDER GUITARRA

AGRADECIMIENTOS: quiero agradecer a mis maestros de guitarra acústica popular lo que me enseñaron para aprender a tocarse la guitarra que es lo que se enseña y que es lo que he venido realizando y con lo que he aprendido más practicar la guitarra en mi tiempo libre. Quiero agradecer a uno de mis maestros que fué con el que inicie sus enseñanzas en clase y he aprendido todos los tonos que se forman todas las seis cuerdas de la guitarra y en cada traste exterior é interior del diapasón al pisar las cuerdas en los trastes con el recorrido principal é inicial. Primer recorrido que se enseña realizar, ensayar en clase. Practica inicial enseñada en su clase: el iniciar con el recorrido que desde un principio al tomar la clase y practicar una primera guitarra en

nuestras manos. Practica que se recomienda como enseñanza inicial y continuarla para practicar guitarra aprenderla y tocarla posteriormente, para ensañarse, aprender y comprenderse más sobre la música y la guitarra. Quiero agradecer a todos los guitarristas mis maestros que he

conocido, visto tocar, a todos los lectores de mi libro especialmente. Ofrezco mis disculpas por cualquier error ó daño que pudiera tener la traducción, redacción ó transcripción del texto en este E-Book que ofrezco a disposición de usted, gracias.


INTRODUCCION: este es un curso práctico con poco de las sencillas técnicas recomendadas para tocar guitarra con unas técnicas propias para practicar, ensayar como aprender más fácil a tocar guitarra con la diversificación que se obtiene con la guitarra el lograr conocer más fácil ó divertidamente la posición de los tonos que se forman pisando uno de los trastes en el diapasón con una guitarra bien afinada y el lograr aprenderse más eficientemente el manejo de un requinto con los dedos de nuestras manos. Después de saber y/ó haber conocido como afinarse una guitarra prácticamente con nuestro oído (a ojo de buen cubero) ó con un aparato electrónico; afinadores electrónicos de las cuerdas de guitarra especiales para afinarse con sonidos internos

especialmente diseñados para ser percibidos por dicho afinador con una manecilla ó aguja que llega al centro de una medida ó rango de medición con barras para afinar cada cuerda de la guitarra é igualar el sonido que emiten las cuerdas al apretarlas [ó desapretarlas (primero rápida ó velozmente para posteriormente ir afinando lentamente la cuerda hasta llegar ó igualar el tono mayor natural) al apretarlas y al mismo tiempo estar accionando cada una de las cuerdas de la guitarra que se ajustan para igualar el sonido que se percibe y se mide por el aparato electrónico cuando se iguala el tono ó sonido especifico de cada una de las cuerdas. Posteriormente de conocer cómo se pueden afinaran las cuerdas de una guitarra se comenzará a practicar las diversas 4 ó 5 formas que en este E-Book que se enseñan para practicar y tocar una guitarra posteriormente con rasgueos que es accionar todas o pare de las cuerdas de la guitarra con un rose en las mismas y un requinto que en este caso es accionar una sola cuerda pisándose en un indicado traste del diapasón de la guitarra a la vez traste por traste; cuerda por cuerda con una secuencia para posteriormente con una serie de cuerdas accionadas pisadas secuencialmente una por una pisando y accionando determinada(s) cuerda(s) en determinado(s) traste(s).

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PRACTICE, PLAY AND LEARN Step xStep READ INITIAL TECHNIQUES

READ Initial techniques of procedures to practice, touch, play and learn guitar

READ Initial techniques of procedures to practice, touch,

play and learn guitar.


Techniques for practicing and learning guitar

As you know: have to tune the strings of the guitar first, tune the guitar altogether

is also mentioned. Method explained here in another E-Book with procedures and

techniques needed to refine them, thus adjusting the strings of the guitar also. There are

devices or electronic tuners from guitar strings to tune the guitar. Strings can be tuned

also to ear as a thumb eye follows:

• Using first the 6th string to fit by tightening its indicated puppet in the machinery of the

guitar to match a soft sound serious, little low.

• Subsequently begins to operate tightening and at the same time adjusting in his

puppet indicated, the following string 5th of down to match the sound that emits the

6th string (top rope) by pressing it and stepping on it at the fifth fret, a rope above

which you want to tune the 6th string treading at the fifth fret matching with the sound

that emits the string the only 5th in this case operate it without stepping on any fret.

• Subsequently down to adjust using the 4th string to match with the sound that emits

the 5th string by pressing it and stepping on the fifth fret of the same.

• Subsequently down to adjust using the 3rd string to match with the sound that emits

the string 4th by pressing it and stepping on the fifth fret of the same.

• Subsequently lowered to conform powering the 2nd string to match with the sound

that emits the string 3rd stepping is now only in this case only one fret down: at the

fourth fret.

• Later and finally down to adjust using the 1st string to match with the sound that emits

the 2nd rope by activating it and then tripped at the fifth fret again.

For tuning is popular acoustic guitars are with some electronics or tuners from guitar

strings which run with some internal sounds especially designed to be perceived by appliances and

measured with two colors changing as it is tuned each string of the guitar, in a few devices work

with small bars that grow up to an optimal extent as it is tuned each string range of growing rods

that indicate the level to which to arrive to retune the string to match the tone sound more which

emits the string tuned. Other electronic devices operate with a lever handle or pointer that rotates

or moves between bars or measurement range where the needle reaches its center to indicate

who each string is already in tune.

Then the tuning of guitars with electronic tuners from guitar strings or components, indicated

when already is in tune each driven and adjusted strings which are tuned individually. There are

automatic components perceived the vibrate and sound that should issue automatically every

strings when activating and which are changing the perception of the different sound that forms

conform at the same time moving a single bar to the Center on a small LED screen and that when

they reach the Center changes color LED display to indicate that each string is tuned they are

electronic components that recognize that rope is that it is applying and sound being broadcast at

the time of activating the same string from the beginning. Tuners components of guitar strings

that work with a number of bars that are showing little by little and grow to a higher bar to

indicate that each of the strings are already tuned. Other components are formed with a needle or

hand than this lying down like a sound of a driven string that fits diagonally or horizontally to the

left side that at the time of perceived is lifting little by little knob to position themselves toward

the Center and stay upright with its upper ends in the middle of measuring rods that indicate in

the center of the same bars that sound is well delivered by the indicated string indicating that the

string is tuned. Matching to more natural tone that strings should be issued to tighten them [or

loosen them (slowly) e match the sound that is perceived and measured by the electronic

component tuner of guitars for each of its strings.

The tones of the strings of the guitar from the sixth 6th towards the first 1st are:

| Mi | La | Re | Sol | Si | Mi |. Can tune each of the guitar strings matching your sound

issue with a pronunciation with our voice warmly each tone emitted each string just

activate the corresponding string and adjust it and fail to tighten the rope until it looks like

the tone that becomes warmly with a warm voice; a tone that emits the string.

A training or practice initial guitar: to test and learn guitar is tripped as initial travel; four frets

sequentially one by one, a group of four frets; fret by fret; by rope with our four front toes of our

hands (front toe: index, middle, ring and little fingers) as this journey in only four frets on a rope

each time: | * | * | * | * |. In this way it follows travel down or up on the six string between all the

same first four frets to subsequently get a fret with our front four fingers; fret by fret) at the end

of play all six strings for the same four frets with your four fingers. Along the fingerboard up during

the same between all six strings, five, four, between three ropes, etc. or also in a single string

(making only treble and/or bass sounds, etc.) fret by fret by activating the same rope four times on

each fret each. And so: follow the route of the course along the fretboard fret by fret; by rope up;

fret by fret; rope for rope.

Primary to test forms are:

1. First procedure: stepping on it the first time as the initial travel: the single group of 4 frets

on the 6th string with our four-toed front, triggering is corresponding rope between the

four frets one by one, then with our four front toes is lowered a rope zigzag jumping to the

next string up a fret the fretboard for later after stepping sequentially four times the rope

in his four frets: back down to another rope under zigzag now down a fret on the

fretboard. And thus repeats the zigzag up and down once on the ropes each fret; by rope;

fret by fret with the Group of our four front toes in four different frets.

2. Second procedure: step one string several times on the same four frets down the

fretboard; frets stuck near your machinery to streamline the fingers, to spreading the

fingers of the hand that is stepped on the strings on the fingerboard of the guitar.

3. Third procedure: once on the same four frets between the six strings. Starting in the first

rope climbing, descending the ropes on the same frets. Climbing, ascending toward the

sixth string, descending down to the first rope between the same four frets.

4. Fourth procedure: is a first travel method for relaxing our finger, train them relaxing them

with an itinerary that is very good individual by rope, in twelve foreign dishes. They

stepped on and are activated individually at the same time along the fingerboard; up

and/or down, the number of times want to individually each rope every four frets with

front four fingers of the hands along the whole of frets for a serious rope on the twelve

foreign frets of the fretboard alternating, starting 3 times with our four front toes as well:

| * 4 | * 3 | * 2 | * 1 | * 4 | * 3 | * 2 | * 1 | * 4 | * 3 | * 2 | * 1 | --| *1 | *2 | *3 | *4 |

*1 | *2 | *3 | *4 | 1* | *2 | *3 | *4 |. Starting from the bottom up listening to tones that

form in the tour. "Travel very good to learn the tones that are made when you press the

strings on the fretboard, learn the tones that are formed on the fretboard with procedures

that are previously taught to more easily learn and practice the guitar tones that form

three times on the frets outside all the rope the guitar with each of our four front toes:

Starting from the bottom up (in a position). Slowly; then do it with lots of practice and fun

training: be made quickly.

5. Fifth procedure: is a fifth method of travel in the same way as the fourth procedure to

relax, soften our fingers then train some time previous procedures to expedite our fingers.

This fifth procedure is divided into two, the first consists in drawing is a mountain peak

above among all foreign frets over all the fingerboard of the guitar. Starting in plotting a

normal diagonal from the 12th fret on the first string, proceeding down a rope, rope for

rope between all six strings stepping once each string around the middle of the fretboard

guitar finishing in sixth / seventh / eighth fret on the 6th string, finally addressing between

the frets now drawing a diagonal reverse between all six strings on after each string of the

guitar going to the 1st string to the first fret. The second procedure consists in plotting

another equal mountain now peak down, beginning on drawing a diagonal reverse from

the 12th fret on the 6th string, proceeding down a rope, rope for rope between all six

strings on after each string of the guitar in the middle of the fretboard finishing in the sixth

/ seventh / eighth fret on the 1st string Finally addressing between the frets now plotting a

normal diagonal between all six strings on each string of the guitar once heading the 6th

string to the first fret.

The tour is done evenly charting mountain peak above, peak down, stepping is one of

those strings initials in one of the initial frets as mentioned at the beginning of this fifth

procedure, continuing to tread a fret, the second string two frets above, down to the

center of the fingerboard (in the sixth / seventh / eighth fret.) Charting the first half of the

mountain peak above, peak down, continues to draw the other half of the same mountain,

jumping frets, climbing down ropes; by rope, drawing in this way the other half of a

mountain at the end of the 1st / 6th string, first / twelfth fret.

image28

PRACTICAR TOCAR Y APRENDER Paso xPaso LEE TÉCNICAS INICIALES

LEER Técnicas Iniciales de procedimientos para practicar, tocar, jugar y aprender guitarra.

LEER Técnicas Iniciales de procedimientos para practicar,

Tocar, Tocar y Aprender Guitarra.


Técnicas iniciales para practicar y aprender guitarra Como se sabe: tienen que afinarse las cuerdas de la guitarra primero, afinar la guitarra en conjunto se menciona también. Método explicado aquí en otro E-Book con los Procedimientos y las Técnicas necesarias para Afinarlas, para de esta forma ajustar las cuerdas de la guitarra también. Para afinarse la guitarra hay aparatos ó afinadores de cuerdas de guitarra electrónicos. Pueden afinarse las cuerdas también a oído como a ojo de buen cubero de la siguiente manera:


• Accionándose primero la 6ª cuerda hasta ajustarse apretando su indicada marioneta en la maquinaria de la guitarra hasta igualarla a un sonido suave grave, poco bajo.

• Posteriormente se comienza a accionar apretándose y al mismo tiempo ajustándose en su marioneta indicada, la siguiente 5ª cuerda de abajo para igualar el sonido que emite la 6ª cuerda (cuerda de arriba) accionándola y pisándola en el quinto traste, una cuerda arriba de la que se desea afinar en este caso la 6ª cuerda pisándose en el quinto traste igualándose con el sonido que emite la 5ª cuerda al solo accionarla sin pisarse en ningún traste.

• Posteriormente se baja a ajustarse accionándose la 4ª cuerda para igualarse con el sonido que emite la 5ª cuerda accionándose y pisándose en el quinto traste igual.

• Posteriormente se baja a ajustarse accionándose la 3ª cuerda para igualarse con el sonido que emite la 4ª cuerda accionándose y pisándose en el quinto traste igual.

• Posteriormente se baja a ajustarse accionándose la 2ª cuerda para igualarse con el sonido que emite la 3ª cuerda pisándose ahora solo en este único caso un traste abajo: en el cuarto traste.

• Posteriormente y por último se baja a ajustarse accionándose la 1ª cuerda para igualarse con el sonido que emite la 2ª cuerda accionándose y volviendo a pisarse en el quinto traste de nuevo.

Para afinarse las guitarras acústicas populares son con unos aparatos electrónicos ó afinadores de cuerdas de guitarra que funcionan con unos sonidos internos especialmente diseñados para percibirse por los aparatos y medirse con dos colores que cambian conforme se afina cada una de las cuerdas de la guitarra, En unos aparatos funcionan con unas barras pequeñas que crecen hasta llegar a una medida óptima conforme se afina cada una de las cuerdas, rango de las barras crecientes que indican el nivel al que se tiene que llegar para afinarse la cuerda al igualarse el sonido del tono mayor que emite la cuerda afinada. Otros aparatos electrónicos funcionan con una manecilla ó aguja indicadora que gira ó se desplaza entre unas barras ó rango de medición donde la aguja llega hasta su centro para indicar que ya está afinada de cada cuerda. Luego al afinarse las guitarras con los componentes ó afinadores de cuerdas de guitarra electrónicos, se indica cuando ya está afinada cada una de las cuerdas accionadas y ajustadas que se afinan individualmente. Hay componentes automáticos que perciben el vibrar y sonido que deben emitir automáticamente cada una las cuerdas al accionarse y que van cambiando la percepción del sonido diferente que se forma al ajustarse al mismo tiempo moviéndose una sola barra al centro en una pantalla pequeña de LED y que cuando llega al centro cambia de color la pantalla LED para indicar que ya está afinada cada cuerda, son componentes electrónicos que reconocen que cuerda es la que se está accionando y sonido que está emitiendo en el momento de accionarse la misma cuerda desde un principio. A unos componentes se les tiene que indicar que cuerda es la que se va a afinar para afinarse cada una de las cuerdas de la guitarra.

Componentes afinadores de cuerdas de guitarra que funcionan con una serie de barras que van mostrándose poco a poco y crecen hasta una barra más alta para indicar que ya están afinadas cada una de las cuerdas. Otros componentes se forman con una aguja ó manecilla que esta acostada como diagonal ú horizontalmente al lado izquierdo que al momento de percibirse un sonido de una cuerda accionada que se ajusta se va levantando poco a poquito la manecilla hasta posicionarse hacia el centro y quedar vertical con su extremos superior en medio de las barras de medición que indican en el centro de las mismas barras que el sonido está bien emitido por la cuerda indicada, indicando que ya está afinada la cuerda. Igualándose al tono mayor natural que deben emitir las cuerdas al apretarlas [ó desapretarlas (lentamente) é igualar el sonido que se percibe y mide por el componente electrónico afinador de guitarras para cada una de sus cuerdas.

Los tonos de las cuerdas de la guitarra desde la sexta hacia la primera son:

| Mi | La | Re | Sol | Si | Mi|. Se pueden afinar cada una de las cuerdas de la guitarra igualando su sonido que emiten con una pronunciación con nuestra voz cálidamente de cada tono que emite cada cuerda con solo accionar la cuerda correspondiente Y ajustarla y dejar de apretar la cuerda hasta que se parezca el tono que SE hace cálidamente con una voz cálida; al tono que emite la cuerda. Un entrenamiento ó practica inicial con la guitarra: para ensayar y aprender guitarra es el pisarse como recorrido inicial; cuatro trastes secuencialmente uno por uno, un grupo de cuatro trastes; traste por traste; cuerda por cuerda con nuestros cuatro dedos frontales de nuestras manos (el dedo frontal: índice, medio, anular y meñique) como este recorrido en solo cuatro trastes en una cuerda cada vez: | * | * | * | * |. De esta manera se sigue el recorrido bajando ó subiendo en las seis cuerdas entre todos los mismos primeros cuatro trastes para posteriormente subirse un traste con nuestros cuatro dedos frontales; traste por traste) al finalizar de tocar todas las seis cuerdas para en los mismos cuatro trastes con nuestros cuatro dedos. En el transcurso a lo largo del diapasón hacia arriba del mismo entre todas las seis cuerdas, entre cinco, entre cuatro, entre tres

cuerdas, etc… ó también en una sola cuerda (haciendo solo sonidos agudos y/ó sonidos graves, etc.) traste por traste accionando la misma cuerda cuatro veces al pisar cada traste uno por uno. Y así: seguir el recorrido del transcurso a lo largo del diapasón traste por traste; cuerda por cuerda, para arriba; traste por traste; cuerda por cuerda. Las formas primarias para ensayar son:


1. Primer procedimiento: Pisándose la primera vez como el inicial recorrido: el solo grupo de 4 trastes en la cuerda con nuestros cuatro dedos frontales, accionándose la cuerda correspondiente entre los cuatro trastes uno por uno, posteriormente con nuestros cuatro

dedos frontales se baja una cuerda en zigzag brincándose a la siguiente cuerda subiendo un traste en el diapasón para posteriormente al terminar de pisar secuencialmente las cuatro veces la cuerda en sus cuatro trastes: de nuevo bajar a la otra cuerda debajo en zigzag bajando ahora un traste en el diapasón. Y de esta manera se repite el zigzag subiendo y bajando una vez en las cuerdas cada traste; cuerda por cuerda; traste por traste con el grupo de nuestros cuatro dedos frontales en los cuatro trastes diferentes.


2. Segundo procedimiento: Pisar una sola cuerda varias veces en los cuatro mismos trastes más abajo del diapasón; trastes pegados más cercanos a su maquinaria para agilizarse los dedos, poder separarse bien los dedos de la mano con que se pisan las cuerdas en el diapasón de la guitarra.


3. Tercer procedimiento: Una vez en los cuatro mismos trastes entre las seis cuerdas. Iniciando en la primera cuerda subiendo, bajando las cuerdas en los mismos trastes. Subiendo, ascendentemente hacia la sexta cuerda, bajando, descendentemente hacia la primera cuerda entre los mismos cuatro trastes.


4. Cuarto procedimiento: Es un primer método recorrido para relajar nuestros dedos, entrenarlos relajándolos con un recorrido que es muy bueno cuerda por cuerda individual, en los doce trastes exteriores. Se pisan y se accionan individualmente a la vez a lo largo del diapasón; para arriba y/ó para abajo, el número de veces que se desee individualmente

cada cuerda cada cuatro trastes con los cuatro dedos frontales de las manos a lo largo de todo el conjunto de trastes para una cuerda en los doce trastes exteriores del diapasón seria alternando, iniciando 3 veces con nuestros cuatro dedos frontales así:


| *4 | *3 | *2 | *1 | *4 | *3 | *2 | *1 | *4 | *3 | *2 | *1 | ----| *1 | *2 | *3 | *4 | *1 |

*2 | *3 | *4 | 1* | *2 | *3 | *4 |. Iniciando desde abajo para arriba escuchando los tonos que se forman en el recorrido. “Recorrido muy bueno para aprenderse los tonos que se hacen al accionar las cuerdas en los trastes, aprenderse los tonos que se forman en los trastes con los procedimientos que se enseñan antes para aprender más fácilmente a practicar la guitarra Los tonos que se forman tres veces en los trastes exteriores a lo largo de toda la cuerda de la guitarra con cada uno de nuestros cuatro dedos frontales:


Iniciando desde abajo para arriba (en una posición indicada). Lentamente; para luego realizarlo con mucha práctica y entrenamiento divertido: realizarse rápidamente.


5. Quinto procedimiento: Es un quinto método recorrido de la misma manera que el cuarto procedimiento para relajar, suavizar nuestros dedos posteriormente de entrenar un buen tiempo los procedimientos anteriores para agilizar nuestros dedos. Este quinto procedimiento se divide en dos, el primero consta en trazarse una montaña pico arriba

entre todos los trastes exteriores a lo largo de todo el diapasón de la guitarra. Iniciando en trazar una diagonal normal desde el doceavo traste en la 1ª cuerda, procediendo a bajar una cuerda, cuerda por cuerda entre todas las seis cuerdas pisando una vez cada cuerda de la guitarra hacia la mitad del diapasón finalizando en el sexto / séptimo / octavo traste en la 6ª cuerda, para finalizar dirigiéndose entre los trastes trazando ahora una diagonal inversa entre todas las seis cuerdas pisando una vez cada cuerda de la guitarra dirigiéndose a la 1ª cuerda hacia el primer traste. El segundo procedimiento consta en trazar otra montaña igual ahora pico abajo, iniciando en trazar una diagonal inversa desde el doceavo traste en la 6ª cuerda, procediendo a bajar una cuerda, cuerda por cuerda entre todas las seis cuerdas pisando una vez cada cuerda de la guitarra hacia la mitad del diapasón finalizando en el sexto / séptimo / octavo traste en la 1ª cuerda, para finalizar dirigiéndose entre los trastes trazando ahora una diagonal normal entre todas las seis cuerdas pisando una vez cada cuerda de la guitarra dirigiéndose hacia la 6ª cuerda hacia el primer traste.

El recorrido se realiza uniformemente trazándose la montaña pico arriba, pico abajo, pisándose una de las cuerdas iniciales en uno de los trastes iniciales como se menciona al inicio de este quinto procedimiento, prosiguiendo a pisar la segunda cuerda un traste, dos trastes arriba, abajo dirigiéndose al centro del diapasón (en el sexto / séptimo / octavo traste. Al trazar la primera mitad de la montaña pico arriba, pico abajo, se prosigue a trazar la otra mitad de la misma montaña, brincando trastes, subiendo, bajando cuerdas; cuerda por cuerda, trazándose de esta manera la otra mitad de una montaña al finalizar en la / 6ª cuerda, primer / doceavo traste.

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EBook 3 How to String Tigth and Tune a Guitar Optimally

READ How to String Tigth and Tune a Guitar Optimally

In English and Spanish

READ FOR HOST AND TUNE GUITAR STRINGS

INDEX                                                                                                 Page

FOR HOST AND TUNE GUITAR STRINGS

As to accommodate the strings of the guitar in its puppets machinery and techniques to tune their strings and use optimal Machinery tubes put the strings of the guitar

The 1st and 4th strings:..............……………………………………………………………4

The 2nd and 5th strings:..........................….………………………………………….….4

The 3rd and 6th strings:.......……………………………………………………………..….4

Installation or placement of the strings on the guitar machinery puppets

Tie the 1st and 4th strings: ……………………………………………....…………….......4

Tying the 2nd and 5th strings: ....…………..…………………………………….….…..5

Tying the 3rd and 6th strings: .………………………………………………….…….….5

As wrap strings in the tubes of the machinery When you insert the first rope into the hole of the indicated pipe machinery: …….……………………...5

The second insertion in the indicated pipe machinery: .………………..…….5

Recommended two three times insertion …………….………………………..….…5

And in this way: better strings can be installed…………….…………..…….……5

1ST UPDATE REVIEWING AND FINAL TIPS:

As it was said: ...………….……………………………………………………….……………….5

As a final piece of advice: ……………………..……………….………………..………..….5

}(*!*){

En Español é Inglés

PARA INSTALAR CUERDAS DE GUITARRA

INDICE                                                                                                      Página

PARA INSTALAR CUERDAS DE GUITARRA

}(*!*){

En Español é Inglés

Como acomodar las cuerdas de la guitarra en su maquinaria y técnicas para afinar sus cuerdas y darle un uso optimo En que tubos de la maquinaria poner las cuerdas de la guitarra

Las 1ª y 4ª cuerdas: ……………………………………………………………………………………………………………….7

La 2ª y 5ª cuerdas: ......………………………………………………………………………….....7

Las 3ª y 6ª cuerdas: ………………………………………………………………………………..7

Instalación ó acomodo de las cuerdas en las marionetas de la maquinaria de la guitarra

Encordar las 1ª y 4ª cuerdas: ………………………………………………….…….………..7

Encordar las 2ª y 5ª cuerdas: ..……………………………………………….…….………..8

Encordar las 3ª y 6ª cuerdas: …..…………………………………………….…….………..8

Como enrollar las cuerdas en los tubos de la maquinaria

3. Al insertar la primera vez la cuerda en el orificio ……............…….…………8

4. En la segunda inserción en el tubo indicado………….………….…….…………..8

Se recomiendan dos tres veces………………..……………..…………….…….…………...8

1ª ACTUALIZACION. REPASANDO Y CONSEJOS FINALES

Como se dijo: las inserción de cada una de las cuerdas ……….………………....9

Como consejo final: ……….............................………………………………………..……....9

También cuando se te rompe, deshila por primera vez …..…......……………....9

Un punto muy importante es tener cuidado con ……………..…..……………......9

Y como se mencionó se puede ir desinstalándose é instalándose ….............9 


FOR HOST AND TUNE GUITAR STRINGS


As to accommodate the strings of the guitar in its puppets machinery and techniques to tune their strings and use optimal There is machinery of guitars that have in their tubes which are moored or tighten the strings of the guitar a kind as porosity edge on its banks outside the tubes so that they stick to jam a bit strings is installed.


Machinery tubes put the strings of the guitar

• The 1st and 4th strings: position the hole in the tubes of the first puppets of the machinery attached to the fingerboard of the guitar.


• The 2nd and 5th strings: position the tubes from the center hole of machinery it guitar, intermediate puppets with which the guitar strings are tightened.


• The 3rd and 6th strings: position the hole of the tubes of the outer puppets of the upper end of the machinery on the outer edge to the fretboard of the guitar.

And then the strings of the guitar are tuned with an electronic tuner mulling over the puppets of the guitar.

You can tune the strings with our single ear using strings and at the same time by pressing a number close to 6 dozens of half-turns to the guitar machinery puppets

(approximately:

63 half-turns to the 1st and 4th strings; 60 half-turns to the 2nd and 5th strings and 60 half turns for the 3rd and 6th strings of the guitar.)

Adjust eye of the thumb that is recommended for use, tuning followed by insert, fit, tighten adjusting the strings on the guitar machinery to tune the same strings of the guitar is practiced.


Installation or placement of the strings on the guitar machinery puppets

There is a way to guitar stringing their cords into the holes in the tubes of the machinery so that they are locked tight and easy to tune to be tight the ropes easily faster, optimally accommodate and to obtain a better use of the strings on the guitar. The preferred arrangement of strings is in the following way:


Tie the 1st and 4th strings: it is necessary to wrap two or three laps in the indicated pipe by pulling out the rope once by each of the two sides of the e tube by inserting into the same hole in the tube indicated (by the entrance to the hole) after inserting the rope into the hole the first time. Then go it winding (pulling the string inserted in the hole once on each side of the tube and reinsert it into the same hole e insert it three times (or two) for the 1st and 4th strings.) Directing the tip of the string once for each end to wrap it two or three times and let it well fastened with a small knot to remove it one last time for each end of the tube; in each of the two possible ends.


Tying the 2nd and 5th strings: it is necessary to wrap one or two turns on the tube indicated after insert the rope into the hole the first time and removed from the same way once on each side e insert it three times (or two) coiling and holding on with a small knot just in the

same way that for the 1st and 4th strings but now for the 2nd and 5th strings one or two turns in this case.


Tying the 3rd and 6th strings: in this single string is necessary to insert only once in the tube hole in machinery after insert the rope into the hole the first time it is not possible to insert new or winding the line two or more times since the 3rd and 6th strings are quite thick and are well fastened inserted only once in comparison with other strings that are more thin who occupy wrapped e inserted more than once, these latest third ropes more acute and serious cannot be again inserted, are not recommended to insert more than once and that would be very tight and it would be very difficult to unroll after using them at the time of extracting the strings of the machinery. the thickness of these ropes made, allow an easy fit and fast tuning of the same inserted only once.


PARA INSTALAR CUERDAS DE GUITARRA


Como acomodar las cuerdas de la guitarra en su maquinaria y técnicas para afinar sus cuerdas y darle un uso optimo Hay maquinarias de guitarras que tienen en sus tubos donde se amarran o aprietan las cuerdas de la guitarra una especie como de porosidad filo en sus orillas exteriores de los tubos para que se peguen atoren un poco las cuerdas al instalarse.


En que tubos de la maquinaria poner las cuerdas de la guitarra

• Las y 4ª cuerdas: posicionarlas en el orificio de los tubos de las primeras marionetas de la maquinaria pegadas al diapasón de la guitarra.

• La y 5ª cuerdas: posicionarlas en el orificio de los tubos del centro de la maquinara de la guitarra, marionetas intermedias con la que se aprietan cuerdas de la guitarra.

• Las y cuerdas: posicionarlas en el orificio de los tubos de las marionetas externas del extremo superior de la maquinaria en la orilla exterior al diapasón de la guitarra.


Y posteriormente se afinan las cuerdas de la guitarra con un afinador electrónico dándole vueltas a las marionetas de la guitarra. Se pueden afinar las cuerdas con nuestro oído solo accionando las cuerdas y apretándolas a la vez un número cercano de 6 decenas de medias vueltas a las marionetas de la maquinaria de la guitarra (aproximadamente: 63 medias vueltas para las y cuerdas; 60 medias vueltas para las y cuerdas y 60 medias vueltas para las 3ª y 6ª cuerdas de la guitarra. Ajuste a ojo de buen cubero que se recomienda para que se practique su utilización, afinación seguida de insertar, acomodar, apretar ajustando las cuerdas en la maquinaria de la guitarra para afinar las mismas cuerdas de la guitarra.


Instalación ó acomodo de las cuerdas en las marionetas de la

maquinaria de la guitarra

Hay una forma para encordar en la guitarra sus cuerdas en los orificios de los tubos de la maquinaria para que queden bien sujetadas, apretadas, y fáciles de afinar para dejarse ajustadas las cuerdas fácilmente más rápido, forma óptima de acomodar y obtener una mejor utilización de las cuerdas en la guitarra. El acomodo de las cuerdas recomendado es de la siguiente manera:


Encordar las y 4ª cuerdas: es necesario enrollar dos ó tres vueltas en el tubo indicado sacándose la cuerda una vez por cada uno de los dos lados del tubo é insertándose en el mismo orificio del tubo indicado (por la misma entrada del orificio) después de insertar la cuerda en el orificio la primera vez. Posteriormente irla enrollando (extrayendo la cuerda

insertada en el orificio una vez por cada lado del tubo y volverla a insertar por el mismo orificio é insertarla tres veces (o dos) para la y cuerdas.

Dirigiendo la puntita de la cuerda una vez por cada extremo hasta enrollarla dos ó tres veces y dejarla bien sujetada con un pequeño nudo al extraerla una última vez por cada extremo del tubo; en cada uno de los dos extremos posibles.

Encordar las y 5ª cuerdas: es necesario enrollar una ó dos vueltas en el tubo indicado después de insertar la cuerda en el orificio la primera vez y extraerla de la misma manera una vez por cada lado é insertarla tres veces (ó dos) enrollándose y sujetándose con un

pequeño nudo simple igual de la misma manera que para las y cuerdas pero ahora para las y cuerdas una ó dos vueltas en este caso.

Encordar las y cuerdas: en este encordado solo es necesario insertar una sola vez en el orificio del tubo indicado de la maquinaria después de insertar la cuerda en el orificio la primera vez ya que no es posible insertar de nuevo ni enrollar dos ó más veces la cuerda

ya que las cuerdas y están bastante gruesas y quedan bien sujetadas al insertarse solo una vez en comparación con las otras cuerdas que son más delgadas que ocupan enrollarse é insertarse más de una vez, estas últimas terceras cuerdas más agudas y graves no se pueden insertar de nuevo, no se recomiendan insertar más de una vez ya que quedarían muy apretadas y sería muy difícil desencordarse después de utilizarlas al momento de extraer las cuerdas de la maquinaria. el grosor de estas cuerdas hacen, permiten realizar un ajuste fácil y rápida afinación de la misma al insertarse una sola vez.


As wrap strings in the tubes of the machinery


1. When you insert the first rope into the hole of the indicated pipe machinery: roll it out; managing the rope on the one hand, in this first time above, and reinsert it into the same hole a second time.


2. The second insertion in the indicated pipe machinery: roll it up by pulling out directing the rope at the other end of the tube from which was extracted the first time; in this second time down. "This way the coil be changed sides to leave a good fit on the ropes better subjected to tighten the ropes leaving them pre-adjusted, to refine more easily without the need of so many turns in the puppet of your machinery and easily become well adjusted and tuned the guitar." Recommended two three times insertion insert wind the line onto the holes in the tubes of the 1st, 2nd, 4th and 5th strings the guitar in its machinery and only once inserted strings in the tube hole indicated in the machinery of the guitar for the 3rd and 6th strings. And in this way: better strings can be installed for later adjustments to tune the strings on the guitar well, have a better and easier use of the guitar. "Always in the first insertion of the rope into the hole in the tube of the guitar machinery puppet: is good to remove first the rope by opposite above the fingerboard of your machinery, then to roll up the first time installed again in the indicated hole of the guitar machinery and proceed to remove the end of the rope on the other side;" under the machinery (in direction of the guitar body), on the other side of where the end of the rope was taken first in the indicated pipe) and in this way to change the end where take the tip

of the string of the guitar to be properly adjusted the strings in the machinery of the guitar and lists to be easily tuned well the same. Two or three times inserted into its machinery for the 1st and 4th strings indicated tube, and once or twice for the 2nd and 5th strings and only once for the 3rd and 6th string.

"You have to be careful that they not stir tangled cords that go by inserting between the ropes already installed because left each properly inserted string and coil others strings in your tube indicated the machinery, the tips of them already installed can entangle that are installing and winding at the same time." When stringing the 2nd and subsequent strings installed in machinery:


They can entangle the ends of strings installed between the ropes are wound and to tie each string that is installed then it manages to make a tangle with the ends of strings installed tangle large and difficult to solve in the guitar between the same strings with machinery that won't let them tuned fine-tuned or loosen because they remain tight and tangled between them (tangle full strings with other strings installed later) that it is difficult to unwind and they would tune is not used either the guitar. So it recommended at the end of each two techniques of the individual string soft, simple and light strings: check each end of the same already installed strings: caressing them with our tips of our fingers and thumb to untangle them e go see are untied strings finished install one by one.


1ST UPDATE REVIEWING AND FINAL TIPS:

As it was said: the inclusion of each of the strings into the hole in the tubes of the machinery must be down the last inclusion into the hole in each tube in the machinery for the strings of the guitar in each string of the guitar is important to insert the rope down. With, 3, 4 rolls them into the tube of the machinery for the 1st and 4th string 2, 3 curls for the 2nd and 5th strings and 1, 2 coiled for the 3rd and 6th strings.

As a final piece of advice: A very important point is reinstall back to the guitar strings it is recommended to reinstall 6 strings again to the best emission of each of the sounds that made them, I used strings are left to be reused when a rope breaks deteriorate Miss. Go taking e installing by rope is a very good point to go calibrating each string in your installation and thus not to leave unused guitar is a very good point.

Also when it breaks you, made for the first time a rope you can reuse the same if the rope breaks, unraveling at the edges of it, is a very important effect when do not have spare strings and are reused already for the same length of the strings.

A very important point is to be careful with as uninstall the rope that I unthread because the rope when it uninstalled you can extract more and no longer serve for reuse. You have to see if first cut with scissors the end of the unthreaded rope which is unrolled to later uninstall the same rope, only a matter of removing the rope cutting off his first tip which is unthread. Already after unwinding the cord of the machinery, unwinds also the appliance with which it holds, with that attaches on the side of the guitar body to replace it then again.

And as mentioned you can go uninstalling e settling by rope to keep the location of the installation of each string in its machinery as to not leave unused much the guitar at the same time. You can only change one string broken fraying and already cannot be used again, by one having spare cases incidental to extract the strings already installed in the guitar, strings that break, strings that are misplaced in the use of the same management.

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